Thursday, February 28, 2013

Groove 3 Ear Training Explained Intervals TUTORiAL

Groove 3 Ear Training Explained Intervals TUTORiAL

Groove 3 Ear Training Explained Intervals TUTORiAL

SYNTHiC4TE | Feb 10 2013 | 417 MB


KNOW WHAT YOU'RE HEARING

Have you ever heard a song or a riff and had a hard time remembering how it went later? Do you wish you could easily pick out the notes in a instrument solo or a vocal passage? Well, Doug Zangar is back with an amazing title that will enable you to do all of these things and more.


Doug begins with the basics of interval training or "Ear Training" and shows you how to name intervals and scales. Then he focuses on the important interval foundations such as Unison, Minor & Major 2nds, Minor & Major 3rds, Perfect 4ths and 5ths, Tritones, Minor & Major 6ths and Minor & Major 7ths.

Doug also includes tests to help sink in the intervals and teach you how to recognize them easily. He then explains Octaves and Inversions and ends with 2 more in-depth tests covering all the intervals melodically and harmonically.

If you're serious about your music and want to be a better producer, mixer or engineer, being able to easily recognize intervals is an invaluable ability that you'll find yourself using all the time. Learn to really know what you're hearing... Get "Ear Training Explained" today.

Product Hightlights

25 Tutorials / Over 3 Hours Total Runtime
For all beginner to intermediatemusicians, producers, mixers & engineers
Written by music theory master Doug Zangar
Simple to use video control interface for Mac & PC
Watch Online, Download, Stream to iPad, iPhone & iPod

Download Size: 405.31 MB

Homepage
http://www.groove3.com/str/Ear-Training-Explained-Intervals.html




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Dance Music Production Sessions 06: EQ TUTORiAL

Dance Music Production Sessions 06: EQ TUTORiAL

Dance Music Production Sessions 06: EQ TUTORiAL

SYNTHiC4TE | Feb 13 2013 | 1.70 GB


For Sessions 06 and due to popular request, we discuss and examine EQ in the detail you've come to expect from DMP.

With a focus on its use in the production of dance music we lift the lid on one of the most popular yet most mix destroying processors ever conceived...


EQ is one of the fundamental tools in music production and the main ingredient for producing a great final mix. However, it also happens to be one of the most misunderstood, misused, over used, under used, abused processors available.

On the surface EQ is little more than a tone control and at its simplest level it offers you the ability to either boost or cut a specific range of frequencies. However, whilst it doesn’t take an awful lot of research to learn what each parameter does and the effects it will impart on audio, this is very different from being able to use it with any real skill.

In this 3 hour tutorial we examine all the aspects of EQ. Starting with with an examination of the science of sound, fundamentals and harmonic generation we examine how our perception changes with volume and frequency and how this applies to EQ. We look at the bandwidth Q factor and why octaves are important.

We study the octave frequency range, the exponential nature of octaves and what this means for the application of EQ. We examine both IIR and FIR (minimal phase and linear phase) and how they are created. We also take a look at the response curves of musical and surgical EQ, shelving filters, overshoot, the Nyquist theorem and the problems of frequency cramping

But most important of all, we look at how all of this information can be combined to complete the image of EQ and how that’s used to create a mix with clarity and depth rather than create something that’s muddy and incoherent.

Tutorial Runtime: 3hr 30 minutes

Homepage

http://www.dancemusicproduction.com/?news=sessions-06-eq#more-263





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One Part Links

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How to create commercial Progressive Trance TUTORiAL (RUS)

How to create commercial Progressive Trance TUTORiAL (RUS)

How to create commercial Progressive Trance TUTORiAL (RUS)
How to create commercial Progressive Trance TUTORiAL
Russian | 23.02.2013 | 3.65 GB

Video course from Ozo Effy project whose tracks support Above & Beyond, Maskus Schulz, Aly & Fila, Roger Shah, DJ Feel and many other popular DJs! This course will teach you everything you need to know to make a professional up-to-date commercial Progressive Trance track. The course is 9 hours long and is made using Cubase.




Homepage:
http://www.thetunes.ru/


DOWNLOAD LINKS:

Ryushare:
http://ryushare.com/t616bhmj5i45/How.to.cr.ProgTrance.part1.rar
http://ryushare.com/7ir0aga3oglq/How.to.cr.ProgTrance.part2.rar
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Extabit:
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Uploaded:
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Audiobro LASS Full 2 KONTAKT-MAGNETRiXX

Audiobro LASS Full 2 KONTAKT-MAGNETRiXX

Audiobro LASS Full 2 KONTAKT-MAGNETRiXX
Audiobro LASS Full 2 KONTAKT | 15.6 GB
TEAM MAGNETRiXX 28 February

LA Scoring Strings 2.0 (LASS) brings you a whole new set of tools and sonic profiles providing a new level of expressiveness, realism, real-time playability and program-ability to sampled strings.

Aside from our new Stage & Color feature (providing an easy way for you to have LASS sound like famous orchestral recordings and film scores), LASS 2 has over 60 new patches ranging from Aleatoric (string effects) to NV-Vib (non vibrato to vibrato) to Real Legato Tremolo and Trill patches.
Below is a partial list of some of LASS 2.0’s new features (you can also read about LASS’s new A.R.C. (Audiobro Remote Control).

Stage & Color – At the heart of Stage & Color is a collection of exclusive orchestral sound profiles (colors) inspired by famous movie scores and recordings. Now, at the push of a button, LASS can adopt the tonal characteristics of some of the most coveted scores and recordings.
A new ARC (Audiobro Remote Control) master script that will allow for dramatically easier control of all sections and divisis from a single window.
Reverb and width controls of multiple patches from within the ARC
ART programming of multiple patches from within the ARC
CC Table control of multiple patches from within the ARC
Auto Arranger control of multiple patches from within the ARC
A new Key Switching approach of multiple patches from within the ARC
Aleatoric (string effects) patches
Non Vibrato to Vibrato patches
Legato Tremolo patches
Legato Trill patches
Micro Tuning and real-time performance of tuning
A CC Attenuation knob that allows on to ride CC attenuation in real-time or after-the-fact for added dynamic control.
A new User Interface that is easier to read and more pleasant to look at.
A drastically reduced footprint of only about 16.5GB due to the inclusion of NI’s NCW (loss-less compression audio file format) files. We include the 24 bit files since it will be about 30% less taxing on your hard drive than a 24-bit wave file. We noticed no measurable CPU hit using the NCW files… and we did a lot of testing.
Many other new features and improvements

There are over 60 new patches covering new articulations in LASS 2 (see below), and ALL LASS 2.0 patches have been reworked to integrate with the ARC.

In case your wondering, “aleatoric strings” is a term often used in film-scoring to describe string sounds that have randomness and dissonance that can heighten the tension and drama in a scene. LASS’s Aleatoric patches allow users to perform (in real-time) these types of dissonant string effects that are so sought after in film scores. By assigning the different divisis to a patch and allowing for individual control of tuning and modulation, you are able to create many varieties of dissonant strings while maintaining control of how it reacts over time. These patches are included for all sections (violins, violas, cellos and basses) in a variety of articulations: Sustains, Tremolos, Trills.

LASS’s new Legato patches are much more powerful than before. Not only do these patches play non-vibrato and vibrato legato, portamento and glissando articulations, but they also allow you to vary the amount of vibrato in real-time… completely transparently via CC2. Furthermore, when you no longer need the NV-Vib functionality, you can simply “turn off” the NV-Vib mode without purging your samples… thereby saving you polyphony.

We have also included a CC Attenuation knob to all legato patches. This allows you to reduce the dynamics of a passage by turning the knob down (even remotely via CC). This is useful if you like your dynamics but you just want to lower them by a certain percentage.

Features:

Consolidated legato patches
Realtime Loading/Purging of Legato Transitions
Realtime Loading/Purging of NV/Vib
Auto Arranger quick on/off control added

LASS’s new Legato Trill patches are smart. With a key switch (dictating the key of your piece) you can perform diatonic trills whereby, when you play a new trill note, the transition to that trill note can be either a legato, portamento or glissando transition.

LASS’s new Tremolo Legato patches allow you to play tremolo lines with legato, portamento and glissando transitions. These patches look similar to the other Real Legato patches as seen above.

Aside from being 100% integrated with the ARC, LASS 2’s new A.R.T. patches include several new performance features including real-time Quantization and a Retrigger/Continuous mode.
Retrigger and Continuous modes — newly played notes retrigger the start of the rhythm pattern or they continue on and “join” the other notes at the same spot in the rhythm pattern.
Quantize — a new approach to quantizing where only notes outside of the user defined note value are quantized. This allows the user to retain the human feel. Of course one can 100% quantize the notes.

All of the LASS 2 scripts have been updated to integrate with the ARC so that you can control all of LASS’s important features remotely from one centralized window. No more having to scroll through all the patches to apply changes you need. This is both a big time saver and can be inspiring. How many times do people abandon good ideas simply because they are too time consuming to execute?! Well… this is where ARC integration saves you time.

Before LASS 2, if you wanted to change the non-performance settings on multiple patches, you would have to make those changes on a per-patch basis. Now with LASS 2 and the ARC, the newly revised scripts “listen” to the ARC and update the settings on as many patches as you choose from within the ARC.



The Auto Arranger (now controllable from the ARC’s AA & DNH page) script brings a whole new range of features never before possible with sampled string libraries with the following features:
Deep integration with the ARC so now you can apply changes to batches of instruments in 1 place.
Polyphonic legato with Real Legato, Real Portamento and Real Glissando
Auto divisi and accurate player count
Play all sections with 2 hands on 1 MIDI channel
Have other sections double at different octaves
Create inversions of your chords on-the-fly
Create your own set of Key Switchable “rules” that you can invoke in real-time
Up to 13 part voice tracking!

The Delay and Humanization (now controllable from the ARC’s AA & DNH page) script has the following features:
A new AA On/Off button is now on the main performance view of all patches.
New Pedal behavior modes have been added.
Deep integration with the ARC so now you can apply changes to batches of instruments in 1 place.

The Tuning Tool script (now controllable from the ARC’s Tuning page) has the following features:
Complete script redesign
Tonal morphing using assignable Tuning CC
Deep integration with the ARC so now you can apply changes to batches of instruments in 1 place.
The Tuning Tool script is now has a Range Tuning and Micro Tuning mode.
Tuning expanded up to +/- min 3rd (300 cents)
Save/Load tuning presets to/from disk
Table Shifter added
Automatic key coloring
A new Tuning Amt knob allows you to assign a CC to change the tuning amount in real-time. This allow for dissonant string effects on every patch.

home page:
http://audiobro.com/lass-2-0/



DOWNLOAD LINKS:

http://peeplink.in/f1bc5b0a64ae